Welcome to misfits’ 2015 Midsummernights’ Quiz! I know I know, there wasn’t one in 2014 but don’t worry – misfits haven’t gone all biennale on you. The quiz is only ever a compilation of oddities and curiosities that hadn’t yet found their way into a post. So go on – enjoy it for what it is!
Q1. First up, what’s this?
Q2. Who all-capped this on April 10?
Q3. One of the signs of a dysfunctional architecture is when buildings have active online lives but don’t know what to do outdoors. It’s increasingly common for a building to be more image that substance. Images however, are all image and no substance and this is why they have become the purest expressions of a dysfunctional architecture. Which of the following images is the odd one out?
Q4. We’re so used to looking back at images of buildings we’re becoming less and less curious about the intended user experience. Part of that experience was to appreciate a view of one’s expansive property or the views it affords. Here’s some views. Name the buildings.
Q5. Country and approximate date please.
Q6. What do you first think of when you see the following photographs?
Q7. What’s the significance of this next?
Q8. What do you first think of when you see this image?
- Total harmony with surroundings as strong verticals resonate with surrounding forest.
- Touches the ground lightly.
- Unapologetically industrial aesthetic.
- Looks a bit like the previous building.
- For such a simple building, it manages to look extremely pretentious.
Q9. Who lives here?
Q10. What do you notice about this washbasin? [Clue: washbasin]
Q1. It’s Arata Isozaki’s once-famous Marilyn Ruler derived from, one can all-too-easily imagine, a shot or shots from Playboy’s 1949 Marilyn Monroe “Red Velvet” photoshoots. In his early buildings, Isozaki claimed to use this ruler whenever he wanted a “sensuous” curve …… such as in the Kamioka Town Hall 1976-78. If you weren’t alive then, be glad – they were horrible times.
Q3. The correct answer is C. It has been built and is the Art Gallery of Alberta. When winter arrives I’ll no doubt agonise over the real-world function of architectural invention as we currently understand it but right now it’s summer so I’ll let it slide.
Regarding Fallingwater, has anyone ever seen a photograph of the eponymous falling water taken from the living room terrace? Do we care?
Not really. Ol’ Frankie wasn’t the first, and certainly not the last, architect to get a wealthy client to pay for their media content.
It would be an interesting exercise to design a house – in the style of Wright – for the spot Mr. Kaufmann originally envisioned his house would be.
The early career of Zaha Hadid and, for all we know, THE ENTIRE FUTURE OF 20TH CENTURY ARCHITECTURE might have taken a different turn had Kazimir Malevich used sand instead of plaster. The physical impermanence of sandcastles is something we learn at an early age as our parents tell us pick up our buckets and shovels and get a move on. These sandcastles use an inexpensive and impermanent medium to allow us to enjoy gratuitous form-making for the fun of it. This is vastly more responsible than using the medium of architecture. Take a bow, Calvin Seiberg.
Q7 It’s Le Corbusier’s Villa Harris. Designed in 1930 for a Swedish-American Marguerite Tjader Harris. (For some reason, she’s usually mentioned as the Swedish-American heiress Marguerite Tjader Harris.) It was never built. She divorced Overton Harris in 1933. Le Corbusier designed this house for her in 1930. When their long-term affair began is conjectural. According to kiss-and-tell Tjader Harris, he “was not a complicated man, not even an intellectual, in the narrow meaning of the word. He lived by his faith and emotions.”
Q8 The correct answer is 5) It manages to look extremely pretentious for such a simple building. It does this by using few resources and simple techniques to do something that, if it needed doing at all, could have been done much more easily – by simply building on the adjacent ledge, for example. If this building is a lookout of some kind, one would have been looking out from just as high. The project is a zinc mine museum in Allmannajuvet, Norway.
Here’s another building from the same project. Take an unpretentious building and, rather than build it on the stone wall, hang it off the edge. Peter Zumthor’s genius is to give complex buildings a devious simplicity. We know we’re looking at “architecture” but we quite can’t pin down where the necessary wastage is.
Q9 Bill & Melinda Gates. The most unusual thing about this house is how little we know about it. It breaks the historic pattern of using architecture to flaunt wealth. This isn’t to say that it wasn’t used to flaunt other things. At the time of its construction, the media was flooded with articles describing its technical “innovations” that, curiously, have not come to pass.